This is the third in our series of Black/Land stories, illustrating how black people self-define our relationships with land.
Land as Refuge and Self-Determination with Terra Turner
Terra Turner is an artist, healer, community leader and urban gardener in East Cleveland, OH. She is one of the founding board members of the Black/Land Project.
[Land as home] ownership is important because home, it’s the place where your people gather. When I bought this house, the intention was this could be a place where people could be, and where I could be with people that I love. That’s why I needed a house. I needed a place for my records, my books, my pictures. And I needed a place for the people that I love.
I think for us, particularly us black women, that’s huge. It’s the place where you are safe in the world, a place where nobody can talk over the children, nobody can be mean to the old people. There are some things that just can’t happen here, because I need to be in a place in the world where that shit don’t happen. I think that that piece is huge for our connection to land . It’s the space where we can control what the f*** happens. Because we can’t control what the f*** happens out there. We can’t.
This is the second in a series of Black/Land stories that illustrates the unique and complex ways black people self-define their relationships to land.
Claiming Land by Regenerating Tradition: Vera Smith and Betty Evans
Vera Smith and Betty Evans are sisters and organizers who grew up in Detroit’s Black Bottom/ Paradise Valley neighborhood, former farmland that was once the heart of Detroit’s black community. As they shared memories of being displaced from Black Bottom, they remembered regenerating the Black Bottom community traditions to carve a familiar relationship to a new place.
Here’s what I remember about the evening: The (adults) had one of those old recorder things and we would dance. The kids would dance. The grown people would dance. The house had a porch on the back of it, and no grass … it just was dirt. There were clotheslines where everybody hung out their clothes when they washed them. In the evening, all the people, all the adults would sit on the porch and talk. Now, I can’t tell you anything they’ve talked about because we were not allowed to approach that area once they sat out there on the porch and started talking, so that was their time. … They were talking freely with each other and probably talking about things the kids didn’t need to hear and know.
But I made a connection with while you were talking that was this porch life. When we came to Kendall as kids, we created a porch life. When we moved over to the northwest side (of Detroit) , there were a lot of kids on the block. We were all right around the same age. So the Junior Block Club, the kids, would gather at our house and we talk. They would come gather at the end of the day after school day was over [until] dinnertime. We would play and mess with each other, tell each other great stuff and just have fun. It was a fun time. We were playing games.
Yeah, until my father came home and we would have to get off that porch. Especially if there was a boy there!
It occurred to me just now that we emulated the relationship, porch life, the way people related to each other with that kind of porch life thing, when we moved to another place. We could stay out until the porch light or street light came on. The kids would end up at our house almost every night. And so, what you would start to hear once it got dark and the streetlight came on is parents calling their kids up and down the street. “Kenny, come home!” It struck me that when we were in Black Bottom that the adults did the same thing, but on an adult level, so we were emulating that.
People are often surprised that most Black/Land stories are not about farming. Most black people live in cities, but have rich relationships to land that are not about agriculture. When given the opportunity to define their relationship to land on their own terms, even farmers and gardeners talk about land as a way of regenerating ways of knowing and ways of being in community, not simply ways to grow food. They describe the sustenance land provides as access to both physical food and cultural shelter.
The Black/Land Project exists to describe the unique and complex ways black people self-define their relationships to land. Each week in July , we will share some of the stories, and the storytellers, from The Black/Land Project.
Land as A Way of Knowing: Tayana Hardin
Tayana Hardin, is a scholar with roots in rural Kentucky. We spoke while she was a doctoral candidate at the University of Michigan.
As I’m doing this intellectual work, I’m also standing that work besides the words of my great grandparents who couldn’t read, but could tell us things like you cut your hair when the moon looks like this or you plant when the moon looks like that. You extract a tooth when the moon looks like this. I think about … knowing how to learn and understand from a book, but then also from what the land can tell us, what the moon can tell us, what a sun dog can tell us. All these little things have really started to create a real special presence for me again as a part of the intellectual work that I’ve done.
It’s been interesting how attention to one has really helped to open up my relationship to the other, the natural world and the intellectual world. And whenever I’m writing and I get stuck, I just take a walk and to really feel that the — for lack of better word — the magic that’s happening in the trees when the leaves disappear, and know that those roots are still thriving down there, are still talking, and that there is still a magic happening even though it looks very bare up top. My own intellectual process is very much wrapped up in all of this.
This week, the Black/Land Project will be conducting interviews and writing in Macon County, Alabama.
Macon County is home to many black land stories: enslaved African-Americans brought to clear and settle colonial Alabama, and their freedmen descendants (of which this writer is one); the HBCU Tuskegee University; and the black churches where people were rounded up for the infamous U.S. Public Health Syphilis study. Those stories exist at a crossroads, intersecting with homeland of the Mvskokie (Muscogee) Creek peoples. A classic novel of the Harlem Renaissance, Ollie Miss, is set in rural Macon County, where the Black/Land Project will be working.
We will be the guests of The Ridge, a Macon County Archaeology Project. The Ridge literally unearths the long and layered history of indigenous people, colonial planters and traders, and African-American people who have lived on this land. Tucked into the tiny hamlet of Warrior Stand, they are documenting the complex history of this section of the Black Belt south. We are so very grateful to Shari Williams and The Ridge for hosting our Macon County work.
The Black/Land Project will be conducting preliminary interviews in Washington D.C. March 3-5, 2012.